But sixteen years of studying never prepared her for this.
Now she must abandon everything and everyone she’s ever known–the guardians who raised her, the boy she’s forbidden to love–to move to India and convince the world that Amarra is still alive.
What Eva finds is a grief-stricken family; parents unsure how to handle this echo they thought they wanted; and Ray, who knew every detail, every contour of Amarra. And when Eva is unexpectedly dealt a fatal blow that will change her existence forever, she is forced to choose: Stay and live out her years as a copy or leave and risk it all for the freedom to be an original. To be Eva.
From debut novelist Sangu Mandanna comes the dazzling story of a girl who was always told what she had to be–until she found the strength to decide for herself.
I think the love story between Eva and Sean started out as one of the most beautiful romances I’ve ever read.
“I don’t want him,” I say. “I want you.”
“I don’t care about the laws.”
He laughs softly, but it’s a funny sound. “It doesn’t matter.”
“Because I do.”
“Don’t you care about me more than you do the laws?”
“No,” he says quietly.
I stare at him silently, my throat tight and my eyes raw. “No,” I repeat, wrapping my arms around my knees. “I see.”
Wow. That was very powerful to me. It was noble and heartbreaking at the same time. And Sean continues this for a good portion of the book.
I’m a SF writer and reader, so I’m willing to go with pretty much anything as long as the author can convince me. And so even though the entire premise of this book is pretty far-fetched, I think Mandanna pulled it off in the first half of the book. I could buy into all the Weavers and Loom stuff, even the ability of Eva to stay hidden from society. But the second half was just one lucky break after another.
I’m not sure what happened to the last half of this book – and I can get past the fact that India was pretty much a little America – I mean, I have no idea what India is like – I know they speak English there and they are a quickly developing nation, but it was very Americanized. Even so, I accepted that as the truth in the story because it’s Mandanna’s world and she’s allowed to paint it any way she wants.
But what I could not accept is the fact that the last half of the book reads like a thriller when the first half of the book reads like a dystopian romance. The whole plot in the second half was way beyond suspending belief and going with it. There were just too many holes and it was just too different.
I just wish the story would’ve concentrated on the internal struggle like it was in the beginning instead of the thriller-esque external chase stuff in the end. And I wish Sean would’ve kept his word, even though it would’ve hurt Eva. This is a story that begs for a second installment, really.
At any rate, I will definitely pick up the next book by this author because she got me with that romance between Sean and Eva – that was some fantastic emotional characterization and I can get over just about any plot flaws as long as I love the characters.